Pressure in the mouthpiece, reed opening, and air-flow speed at the reed opening of a clarinet artificially blown.
نویسندگان
چکیده
منابع مشابه
The Feathered Clarinet Reed
In this research, a method previously applied to improve a digital simulation of the avian syrinx is adapted to the geometry of the clarinet reed. The clarinet model is studied with particular attention to the case when the reed beats again the lay of the mouthpiece, closing off air flow to the bore once each period. In place of the standard reed table which gives steady-state volume flow as a ...
متن کاملEstimating the Reed Pulse from Clarinet Recordings
In this work we estimate the volume flow pulses through a clarinet reed from recorded clarinet signal. The idea is similar to extracting glottal pulse sequences from recorded speech, however since the clarinet reed has little mass and generates significant reflection, the source-filter model used in speech processing invalid. Here, the clarinet is modeled as a pressure-controlled valve coupled ...
متن کاملFunctional model of a simplified clarinet
A functional model of a simplified clarinet has been developed and implemented on a digital computer. The simplified clarinet consists of a standard clarinet mouthpiece and reed attached to a straight cylindrical tube. In the model, the tube and mouthpiece are represented by a lumped element approximation to a transmission line and the reed is represented as a nonuniform bar, clamped at one end...
متن کاملToward an estimation of the clarinet reed pulse from instrument
9 In this work, a technique is presented for estimating the reed pulse from the pressure signal recorded at 10 the bell of a clarinet during performance. The reed pulse is a term given to the typically periodic 11 sequence of bore input pressure pulses, a signal related to the volume flow through a vibrating reed by 12 the characteristic impedance of the aperture to the bore. The problem is sim...
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از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...
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ژورنال
عنوان ژورنال: Journal of the Acoustical Society of Japan (E)
سال: 1993
ISSN: 0388-2861,2185-3509
DOI: 10.1250/ast.14.417